Story of Pinnochio (from 16th century) - Moon (film premiere) conj Pluto (1st serial published)
TWO COBBLERS WORKING SIDE BY SIDE AT A TABLE
This is another favourite of mine – it shows cooperation and love, sharing and caring.
Without wanting to get all religious or airy fairy, I feel to mention that one of my favourite people, the fabulous Walter Russell – who has been compared to Leonardo Da Vinci for his brilliance – was born with this degree as his Sun (and, possibly, his Moon – he was born on the new Moon on this degree)... he wrote in his book The Secret Of Light (published in 1947)…
God is light. God is Universal Mind. Mind is Light. Mind knows…
When man and God thus work together they commune one with the other as
One Person. The language of their communion is the language of Light which man calls “inspiration.”
When man works alone, his works are as the winds which blow. When man works with God as co-creator, his works are forever enduring.
Every great genius manifests this law: that he is One with the God- Mind, that God in him is the source of every thought and that he is inspired by that omniscience and omnipotence within him which make his work enduring.
Russell left school at the age of nine and was a genius – a master – at everything he did. An amazing human being. With Venus on his Sun, I feel to celebrate him and to show what he thought about creating. He said that he always always worked with God sitting by his side at his work bench… God is light. God is Universal Mind. Mind is Light. Mind knows…
‘Cobblers’ are those who work to fix up issues to do with the ‘sole’ – the ‘soul’ – the feet represent issues of ‘understanding’… repairs to understanding… (thanks to Dane Rudhyar for that inspiration).
I mention the above especially for those of us who work ‘alone’… we seemingly plug along without help, without others being there… the following is my shortened interpretation from the Solar Fire files…
This Symbol shows people working together, getting along in a partnership and making something of their lives through cooperation. To get the result you want you will probably need to work cooperatively with someone of equal skill and similar interest. Finding a partner with similar skills can give life a lift and lessen your own work load. Two or more people can bring not only their special talents but also their individual tools and perspectives. By sharing the task without ego or competition the outcome is not only better, but more harmonious and satisfying. Iran v Israel 13/6/25
People sharing quietly and persistently in their labor. Partnerships and sharing. Repairs to the soul. Reflexology. Work benches. Demarcations of work. The marriage of minds.
The Caution: Wanting to complete a task with shared responsibilities yet gain all the credit. Committing oneself to tasks that don’t bring personal satisfaction. Codependence.
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This astrological degree, described through its Omega and Chandra symbols, speaks to a profound sensitivity to the aliveness of all things and the transformative power of creative engagement with the world. The Omega Symbol, “A man reaches out to touch a marble statue. He feels it smiling,” suggests a deep intuitive connection to the essence of matter. The man perceives the statue not as inert but as vibrant and responsive, capable of conveying joy or emotion. This reflects the degree’s theme of Transforming/Responsible, where one’s loving, conscious interaction with the world—whether with people, objects, or nature—awakens positivity and fosters healing. By being attuned to the subtle “aliveness” of everything, the individual takes responsibility for nurturing and uplifting their surroundings through unconditional care.
The Chandra Symbol, “A man amuses himself by drawing strange shapes,” complements this by emphasizing playful, imaginative exploration. The act of creating unusual forms sparks the imagination, revealing new possibilities within the familiar. It suggests that creativity is a way to engage with the ever-changing nature of reality, where what we create takes on a life of its own and returns to us as karma—positive or negative, depending on our intent. Together, these symbols highlight a dynamic interplay between sensitivity to the world’s inherent vitality and the creative freedom to reshape it, fostering richness and joy.
The additional symbols deepen this interpretation. The Pleiadian Symbol, “With tiny files and chisels a man is sculpting clouds of mist from white alabaster,” evokes delicate, almost impossible artistry, suggesting that even the most ephemeral or intangible aspects of life can be shaped with care and intention. The Azoth Symbol, “A road comes to an end, but a woman and her dog find their way beyond it,” implies trust in navigating beyond limitations, finding new paths through intuition and companionship.
The Seed and Fulfillment degrees provide context for the process. The Seed degree (Pisces 8), “Through a microscope, a scientist observes a deadly virus,” indicates an awareness of negativity or harm within matter, prompting the desire to heal it through love. The alternate Seed degree, “A gypsy peasant woman sings a mournful chant,” suggests releasing past sorrows to embrace present creativity.
The Fulfillment degrees (Aquarius 5) reveal outcomes: “Gradually, the wind unearths a temple buried in the sand” points to uncovering spiritual depths through creative work, while “Humans worshiping an obese nature Goddess” celebrates the abundant, generative power of nature, inspiring communal reverence.
The Oracle’s poetic imagery reinforces this: the man absorbs the statue’s imperceptible smiles through touch, learning to embody its subtle expressions. This illustrates a mystical exchange where interaction with matter transforms both the perceiver and the perceived, enabling the individual to carry forward its quiet, joyful essence.
In essence, this degree invites you to approach the world with sensitivity, recognizing its aliveness, and to engage creatively with it, knowing that your actions—rooted in care and imagination—can heal, transform, and reveal hidden depths, fostering a cycle of positivity and abundance.
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To explore the connections and differences between the Omega Symbol “A man reaches out to touch a marble statue. He feels it smiling” (Transforming/Responsible) and the symbol “Two cobblers working side by side at a table”, let’s analyze their themes, energies, and implications, drawing on the provided context and the insights about Walter Russell, while keeping the interpretation fresh and focused.
Connections
Co-Creation and Connection:
Marble Statue Symbol: This degree emphasizes a profound connection with the essence of matter, where the man’s touch perceives the statue’s “smile,” suggesting an intuitive, almost spiritual communion with the world. It reflects a co-creative relationship with the universe, where loving interaction transforms both the individual and their environment.
Two Cobblers Symbol: Similarly, this symbol highlights cooperation and partnership, with two individuals sharing skills and labor harmoniously. The cobblers’ collaborative work mirrors the statue symbol’s theme of co-creation, as both involve engaging with another entity—whether a statue or a partner—to produce something meaningful. Walter Russell’s philosophy of working with “God as co-creator” aligns with both, emphasizing a divine or universal partnership in creative acts.
Healing and Transformation:
Marble Statue: The act of touching the statue and feeling its aliveness suggests healing through unconditional positive rapport. The degree’s seed (Pisces 8) points to recognizing negativity in matter and healing it with love, aligning with the idea of transforming the “soul” or essence of things.
Two Cobblers: The cobblers repair shoes, symbolizing “repairs to the soul” or understanding, as shoes relate to the feet and grounding. This healing process through cooperative work parallels the statue symbol’s transformative touch, where both acts restore or elevate something through care and attention.
Creative Expression:
Marble Statue: The Chandra Symbol (“A man amuses himself by drawing strange shapes”) underscores creative experimentation, where imagination breathes life into new forms. This creativity is inspired by a deep connection to the aliveness of the world.
Two Cobblers: The cobblers’ shared labor is also creative, producing tangible results (repaired shoes) through mutual effort. Walter Russell’s emphasis on inspired creation with the “God-Mind” resonates here, as both symbols suggest that true creativity arises from a harmonious, inspired partnership—whether with matter, a person, or the divine.
Spiritual Undertones:
Both symbols carry a spiritual dimension. The statue symbol’s Oracle speaks of subtle, mystical exchanges (e.g., the statue’s imperceptible smiles), while Russell’s philosophy in the cobblers’ symbol frames creation as a communion with Universal Mind. Both suggest that meaningful work—whether solitary or collaborative—taps into a greater, universal intelligence or light.
Differences
Solitary vs. Collaborative Focus:
Marble Statue: This symbol centers on an individual’s interaction with the inanimate, emphasizing a solitary, intuitive connection to the world’s aliveness. The man’s experience is internal and mystical, relying on his sensitivity to perceive the statue’s response.
Two Cobblers: In contrast, this symbol explicitly involves two people working together, highlighting interpersonal cooperation and shared goals. While the statue symbol is about connecting with the non-human world, the cobblers focus on human partnership and mutual effort.
Nature of the Work:
Marble Statue: The interaction is subtle, almost ethereal, involving perception and emotional exchange rather than physical labor. The transformation occurs through feeling and imagination, as seen in the Chandra Symbol’s playful shape-drawing.
Two Cobblers: The work is practical and tangible, involving physical tools and skills to repair shoes. It emphasizes craftsmanship and shared labor, with a focus on producing a concrete outcome, unlike the statue’s more abstract, spiritual transformation.
Scope of Transformation:
Marble Statue: The transformation is universal, extending to all matter, animate or inanimate. It suggests a broader, almost cosmic responsibility to awaken joy and positivity in everything one touches.
Two Cobblers: The transformation is more localized, focused on the partnership and the specific task of repairing shoes (or souls). While it has spiritual implications, it’s grounded in the immediate, collaborative effort between two individuals.
Emotional Tone:
Marble Statue: The tone is mystical and introspective, with a sense of wonder at the aliveness of the world. The man’s experience is quiet and personal, evoking awe and sensitivity.
Two Cobblers: The tone is warm, communal, and grounded, emphasizing camaraderie and shared purpose. It feels more relational and practical, with an undertone of mutual support and satisfaction.
Synthesis with Walter Russell’s Philosophy
Walter Russell’s ideas, as quoted, beautifully bridge these symbols. His view of working with “God as co-creator” resonates with the statue symbol’s theme of connecting with the universal aliveness (God as Light, Universal Mind) and the cobblers’ collaborative spirit, where two minds work as one, akin to Russell’s communion with divine inspiration. His emphasis on enduring, inspired work aligns with both symbols’ focus on transformative creation—whether through touching the statue to awaken its joy or through the cobblers’ cooperative repair of “souls.” Russell’s Venus on this degree likely amplified his ability to infuse love and harmony into his creations, mirroring the statue’s unconditional rapport and the cobblers’ caring partnership.
Practical Implications
Marble Statue: Encourages you to approach your environment with sensitivity, recognizing the life in everything and using your creative touch to heal and uplift. It’s about trusting your intuition to connect with the world’s deeper essence, even when working alone.
Two Cobblers: Invites you to seek partnerships where skills and goals align, sharing the workload to create something meaningful. It reminds you that collaboration can lighten burdens and produce harmonious, satisfying results, especially when driven by mutual respect.
Cautions
Marble Statue: The risk lies in becoming overly absorbed in the mystical or imaginative, potentially losing grounding in practical reality. One must balance sensitivity with action.
Two Cobblers: The caution is about EGO or CODEPENDENCE disrupting the partnership, such as seeking credit for shared work or engaging in tasks that don’t fulfill you personally.
Conclusion
Both symbols celebrate creation, connection, and transformation, but they differ in focus: the statue emphasizes a solitary, mystical communion with the world’s aliveness, while the cobblers highlight practical, interpersonal collaboration. Together, they suggest that whether working alone or with others, aligning with a higher purpose (as Russell’s Universal Mind suggests) and approaching tasks with love and care leads to enduring, transformative outcomes. The statue’s introspective sensitivity complements the cobblers’ cooperative craftsmanship, offering a holistic view of how to engage with the world creatively and responsibly.
This symbol signifies the creative friction that arises when energies, whether material or psychic, come into close proximity, leading to a release of higher energy. It highlights the importance of respecting DIFFERENT ways of being and doing, and finding value in diverse perspectives.
NEGATIVE - SEPHARIEL
A powerful man, holding a scourge
in his right hand, and driving two
slaves in manacles
It signifies a tyrant, who takes delight in power
apart from its uses, and whose opinions are
bigoted and selfish. To rule, without regard to
qualifications, is the passing ambition of one born
under this degree. Death, which frees the slave,
will bind the hands of a tyrant in irons forged
from his own heart. It is a degree of
DESPOTISM
Connections
Interaction with Others:
All three symbols involve interaction, but their nature differs drastically. The Marble Statue involves a solitary, empathetic connection with an inanimate object, perceiving its aliveness. The Two Cobblers depicts a cooperative, equal partnership between humans. The Powerful Man also involves human interaction but is hierarchical and oppressive, with the tyrant dominating others. Each symbol explores how one engages with their environment or others, whether through love, collaboration, or control.
Karmic Consequences:
Each symbol implies a karmic outcome based on actions. The Marble Statue suggests that loving, creative engagement with the world yields joy and positivity, as seen in the Chandra Symbol’s creative experimentation returning as “unending richness.” The Two Cobblers indicates that harmonious collaboration produces satisfying, enduring results, avoiding ego-driven conflicts. The Powerful Man explicitly warns of negative karma: the tyrant’s cruel rule leads to their own entrapment, with “irons forged from his own heart.” All three underscore that actions—whether positive or negative—shape one’s destiny.
Power and Responsibility:
The Marble Statue and Two Cobblers frame power as a responsible, transformative force—through loving connection or shared effort. The Powerful Man also deals with power but portrays its misuse, where the tyrant’s desire to dominate overrides any sense of responsibility or care. The contrast highlights the choice between wielding power for healing and unity versus selfishness and oppression.
Spiritual Undertones:
The Marble Statue and Two Cobblers align with Walter Russell’s philosophy of co-creation with the “God-Mind,” where inspired, loving work endures. The Powerful Man lacks this spiritual alignment, as the tyrant’s actions are driven by ego and selfishness, disconnected from universal harmony. However, the mention of death freeing the slave and binding the tyrant suggests a spiritual reckoning, echoing the universal law of cause and effect present in the other symbols.
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